Art/Architecture
DC Comics Artist Quits; Says Woke Superman Dropping ‘The American Way’ From Motto “Really Pissed Me Off”
“I’m finishing out my contract with DC. I’m tired of this sh*t, I’m tired of them ruining these characters; they don’t have a right to do this.”
An artist who worked for DC Comics has quit saying that he is “tired of them ruining these characters,” including Superman, after the company dropped ‘the American way’ from the hero’s famous motto.
Colorist Gabe Eltaeb revealed on a recent podcast “I’m finishing out my contract with DC. I’m tired of this sh*t, I’m tired of them ruining these characters; they don’t have a right to do this.”
“What really pissed me off was saying truth, justice, and a better world. F*ck that; it was ‘truth, justice, and the American way,'” Eltaeb further stated.
“My Grandpa almost died in World War II; we don’t have a right to destroy sh*t that people died for to give us. It’s a bunch of f*cking nonsense,” Eltaeb urged.
The artist, who worked on the much maligned “Son of Kal-El” Superman books in which Clark Kent’s son comes out as a bi-sexual social justice warrior, also spoke about the abuse he has been subjected to for his opinion on the comic book characters being ruined.
“They call us bigots and racist and sh*t,” Eltaeb noted, adding “I would ask them, find me in the f*cking mainstream, not on the fringes, one f*cking book, one f*cking t-shirt, one movie that says that leftism is bad, and conservatism is good, find it for me, they f*cking won’t. They’re not letting people have a voice, they’re the f*cking bigots.”
The podcast host Ethan Van Sciver added “You cannot come out and be a conservative and criticize the company that you work for in this way. You have to be completely supportive of the corporate agenda, whatever it is.”
“You have to keep your negative or critical opinions to yourself, and it’s so liberating to be able to not work for DC comics and be able to say exactly what you think,” Sciver emphasised, adding “And I think that’s what Gabe is going through here.”
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Why do those climate protesters never attack works of modern art?
Because even they know it holds no real value whatsoever.
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Art/Architecture
‘Golden Demon’ Statue Placed Atop New York Courthouse to Honor Ruth Bader Ginsburg and Abortion
A new state-sanctioned desecration of our heritage just dropped.
The demon statue to honor Ginsberg sticks out like a sore thumb.
“The image of justice as a woman has been present for centuries, but women only gained juridical voice in the last one,” Pakistani-born Shahzia Sikander said her artist’s statement. “Despite years of women’s struggle for legal socio-economic and political equality, gender bias still continues to create barriers for many women, whether it is health and education rights, equal economic opportunities, gender-based violence and race, or class discrimination.”
What were the “barriers” stopping you from having this monstrosity placed atop the courthouse?
There are no barriers to anything anymore — that’s why giant piles of garbage are desecrating all of our public spaces.
Contrast Sikander’s garbage heap with the original work of art designed by James Brown Lord:
[Image source: EpicGenius, CC BY-SA 4.0]
[Image source: Beyond My Ken, CC BY-SA 4.0]
[Image source: Beyond My Ken, CC BY-SA 4.0]
We need more barriers to protect our heritage, not less. One would think plain old shame would serve as a “barrier” to prevent such desecrations but our ruling elites are clearly utterly shameless.
This post was originally published at Information LiberationIn an age of ugliness, a work of beauty is an act of defiance.
Let’s check in on modern architecture.
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