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Nexflix’s ‘Cuties’ is Even Worse Than the Trailer

Movie showcases vile sexualization of children.

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The ‘Cuties’ movie that stirred controversy last month following the release of its trailer has now been released and it’s even worse – featuring numerous scenes that showcase the vile sexualization of children.

As we previously highlighted, the French production centers around four pre-teen children from a ‘diverse’ neighborhood attempting to win a dance competition. The trailer shows the girls twerking and adopting other sexualized poses.

Even after a massive backlash, Netflix refused to pull the plug on the movie, acknowledging merely that the promo poster for the film was unsuitable and that it would be changed.

After its release last night, Twitter user Ghost Jim watched the movie and posted several clips which illustrate how the film is basically soft porn for pedophiles.

“Netflix just released the controversial ‘Cuties’ and it’s worse than you could imagine. Make no mistake: Netflix is at the forefront of sexualizing children and normalizing pedophilia!” he tweeted.

The first clip shows the girls aggressively shaking their backsides while putting their fingers in their mouth.

The next clips shows the girls wearing skimpy outfits dancing on stage in front of judges in a similar manner while an audience watches, some of them applauding, some of them booing.

Note that the dance routine performed by the main characters is very similar to that seen in WAP (Wet-Ass Pussy) – a Cardi B song released last month which caused controversy for its overtly sexual dance choreography, something that has since been copied by underage girls across America.

The next scene shows the black girl in the movie vigorously shaking her entire body.

The next scene is perhaps the most revolting of all. It shows the girls accusing a security guard of being a “pervert” and trying to molest them.

Another security guard then arrives and the black girl begins performing a dance in front of him as he ogles her and the camera lingers on her torso.

“That’s as far as I’ll go with this demonic garbage. No doubt the film has much more. Netflix is streaming it right into peoples homes where young, impressionable girls can watch it. And where grown men with sexual attraction to children can pleasure themselves to. Thanks Netflix!” remarks the Twitter user.

He then reveals the details of other revolting scenes in the film, including the girls experimenting with webcam porn and a girl taking a photo of her vagina and posting it online.

While Turkey’s media watchdog has ordered the film removed from Turkey’s Netflix portal, British newspaper the Independent described the movie as an “important contribution to the coming-of-age genre.”

The New Yorker’s blasted a “scurrilous campaign against the film” waged by right-wingers, while Rolling Stone called the movie “a sensitive portrait of growing pains that deserves to be seen.”

Meanwhile, a petition to pressure Netflix into removing the movie has reached over 123,000 signatures.

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Art/Architecture

Exactly As Trump Predicted: ‘Racist’ Jefferson Statue To Be Removed At NYC Council

History is being systematically erased and rewritten while media clowns pretend it isn’t happening

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Steve Watson

Tom Williams/Roll Call/Getty Images

A 200-Year-Old Thomas Jefferson statue is to be removed from the chambers of the New York City council after a unanimous vote by the nine members of the Mayoral appointed Public Design Commission.

Several lawmakers testified that the statue is ‘offensive’, with Democratic Assemblyman Charles Barron of Brooklyn even declaring that Jefferson was a “slaveholding pedophile.” 

Barron added “I think it should be put in storage somewhere, destroyed or whatever.”

Barron continued, “How the hell can people see as a hero someone who had hundreds of enslaved Africans, someone who was a racist and who said we were inferior and someone who was a slaveholding pedophile?”

He further proclaimed that “For [Jefferson] to be canonized in a statue is incredible — incredibly racist.”

The New York Post notes that in 1834 the statue was given to the city by Uriah Phillips Levy, “the nation’s first Jewish Naval commodore and an admirer of Jefferson’s belief in religious freedom.”

The New York Times notes of the statue that “The painted plaster version was later donated to New Yorkers and arrived at City Hall around 1834. When it first arrived in New York, Levy charged to view it and used the proceeds to feed the poor. It was installed in the City Council Chamber in the 1910s.”

A local ABC affiliate reports that the statue is “expected to go on ‘long term loan’ to the New-York Historical Society by the end of the year, where it would be included in educational exhibits with the proper historical context that likely will include discussion of Jefferson’s slave ownership.”

NYC Mayoral candidate Curtis Sliwa expressed opposition to the move, asking “Do we suddenly wipe out the images, the markings, the names of all those great patriots because they were slaveholders and slave holding was quite common at that time?”

Republican City council member Joe Borelli also accused NYC Mayor Bill de Blasio of waging a “progressive war on history.” 

“The de Blasio administration will continue the progressive war on history as he, himself, fades away into a portrait on a City Hall wall,” the Staten Island member told the New York Post. 

Back in 2017, after statues of Confederate figures were targeted, President Trump predicted that soon enough it would be statues of Jefferson and Washington that would face the axe.

“This week it’s Robert E. Lee. I noticed that Stonewall Jackson is coming down. I wonder, is George Washington next week and is it Thomas Jefferson the week after? You really do have to ask yourself: ‘Where does it stop?’” Trump asked at the time.

The media said Trump was overreacting and pointing to a ‘false slippery slope’.

John Oliver devoted an entire segment to mocking Trump over the statement:

Wrong.

Trump was 100% correct.

Again.

It hasn’t stopped. History is being systematically erased.

Earlier this year we reported on the woke mob succeeding in influencing a MUSEUM in New York to remove a statue of former President Theodore Roosevelt.

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    Diversity Darling Finds Out Her Black Ancestor Owned Slaves

    Well, this is awkward.

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    Alex Scott, one of The faces of the BBC’s new diversity drive, was shocked to discover that her ancestor owned slaves.

    A historian had to explain to Alex that it wasn’t unusual for black people to own slaves.

    Fact is, virtually every empire and ethnicity throughout history owned slaves, but kids are brainwashed to think that only white people were to blame.

    Please share this video! https://youtu.be/GwiGEIebdZM

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    Eh? Jamie Lee Curtis Claims Latest Crappy Halloween Re-boot Is About ‘Mob Violence On January 6th’

    Makes out that trash slasher movie is high art making a political statement

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    Steve Watson

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    Jamie Lee Curtis, who is starring in yet ANOTHER re-boot Halloween film, has claimed that this latest one is some sort of high art statement about “mob violence” at the Capitol on January 6th.

    In an interview with filmmaker Eli Roth on the History of Horror podcast, Curtis said that Halloween Kills is about a “mob descending together,” who want “to take matters into their own hands.”

    Curtis added “We have just in America watched a mob descend on January 6 with nooses and stun guns and members of Congress in the building, and we all watched it on TV.”

    Listen:

    That’s a bit of a stretch, no? Given that the movie was made before the events of January 6th, having been in pre-production in 2019.

    Sounds a bit like Curtis is trying to inject some cultural relevance (in a wishy washy leftist way) into what is just a straight up crappy slasher flick.

    Maybe just leave it alone and stop ruining John Carpenter’s legacy.

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