Art/Architecture
Nick Cave: “Political Correctness Has Grown To Become The Unhappiest Religion In The World”
Singer slams cancel culture as “Mercy’s Antithesis”.
Published
3 years agoon
Steve Watson

Singer Nick Cave has denounced cancel culture and political correctness as “bad religion run amuck” in a thoughtful and insightful post in which he opines how society is being eroded by a lack of mercy.
The foreboding composer penned his thoughts on his website The Red Hand Files, urging that mercy is key to a society remaining “functioning and tolerant.”
“Mercy ultimately acknowledges that we are all imperfect and in doing so allows us the oxygen to breathe — to feel protected within a society, through our mutual fallibility.” Cave wrote, adding that “Without mercy, a society loses its soul, and devours itself.”
“Mercy allows us the ability to engage openly in free-ranging conversation — an expansion of collective discovery toward a common good. If mercy is our guide we have a safety net of mutual consideration, and we can, to quote Oscar Wilde, ‘play gracefully with ideas.’” the somber songwriter continued.
“Yet mercy is not a given,” Cave proclaimed, noting that “It is a value we must nurture and aspire to. Tolerance allows the spirit of enquiry the confidence to roam freely, to make mistakes, to self-correct, to be bold, to dare to doubt and in the process to chance upon new and more advanced ideas. Without mercy society grows inflexible, fearful, vindictive and humourless.”
“As far as I can see, cancel culture is mercy’s antithesis,” Cave urged.
“Political correctness has grown to become the unhappiest religion in the world. Its once honourable attempt to reimagine our society in a more equitable way now embodies all the worst aspects that religion has to offer (and none of the beauty) — moral certainty and self-righteousness shorn even of the capacity for redemption. It has become quite literally, bad religion run amuck.” Cave declared.
The singer, known for an eclectic musical catalogue ranging from punk rock to lovesick murder ballads, expanded on his opinion, noting that “Cancel culture’s refusal to engage with uncomfortable ideas has an asphyxiating effect on the creative soul of a society.”
“Compassion is the primary experience — the heart event — out of which emerges the genius and generosity of the imagination,” Cave wrote.
“Creativity is an act of love that can knock up against our most foundational beliefs, and in doing so brings forth fresh ways of seeing the world. This is both the function and glory of art and ideas. A force that finds its meaning in the cancellation of these difficult ideas hampers the creative spirit of a society and strikes at the complex and diverse nature of its culture,” Cave further gracefully explained.
It may be difficult to dismiss such elegantly expressed opinion, however hardcore leftists will no doubt found a way, likely by dredging up something from Cave’s distant past and immediately calling for his cancellation!
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Art/Architecture
‘Golden Demon’ Statue Placed Atop New York Courthouse to Honor Ruth Bader Ginsburg and Abortion
Published
4 months agoon
27 January, 2023Chris Menahan | Information Liberation

A new state-sanctioned desecration of our heritage just dropped.
A new statue atop a New York City courthouse. The artist says it’s part of an “urgent and necessary cultural reckoning underway as New York reconsiders traditional representations of power in public spaces and recasts civic structures to better reflect 21st-century social mores.” pic.twitter.com/4IFRj7hCsf
— Andrew Beck (@AndrewBeckUSA) January 25, 2023
The statue, named "NOW", is a female figure emerging from a pink lotus. It has braids shaped as horns with a judicial lace apron. It is meant to pay homage to Ruth Bader Ginsberg and her fight for abortion.
— Andrew Beck (@AndrewBeckUSA) January 25, 2023
Further context may be found in the glowing New York Times write-up of the “female lawgiver” statue, it’s Pakistani-American creator, and her ambitions for more in other cities around America. https://t.co/cEgoAxGo9W
— Andrew Beck (@AndrewBeckUSA) January 25, 2023
The demon statue to honor Ginsberg sticks out like a sore thumb.
“The image of justice as a woman has been present for centuries, but women only gained juridical voice in the last one,” Pakistani-born Shahzia Sikander said her artist’s statement. “Despite years of women’s struggle for legal socio-economic and political equality, gender bias still continues to create barriers for many women, whether it is health and education rights, equal economic opportunities, gender-based violence and race, or class discrimination.”
What were the “barriers” stopping you from having this monstrosity placed atop the courthouse?
There are no barriers to anything anymore — that’s why giant piles of garbage are desecrating all of our public spaces.
— john (@johnhackerla) January 15, 2023
Contrast Sikander’s garbage heap with the original work of art designed by James Brown Lord:

[Image source: EpicGenius, CC BY-SA 4.0]

[Image source: Beyond My Ken, CC BY-SA 4.0]

[Image source: Beyond My Ken, CC BY-SA 4.0]
We need more barriers to protect our heritage, not less. One would think plain old shame would serve as a “barrier” to prevent such desecrations but our ruling elites are clearly utterly shameless.
This post was originally published at Information LiberationIn an age of ugliness, a work of beauty is an act of defiance.
Let’s check in on modern architecture.
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Art/Architecture
Video: More Idiots Allowed To Damage Priceless Art In Latest ‘Climate Protest’
Why were they allowed to return for a photo op?
Published
7 months agoon
21 November, 2022Steve Watson

More ‘climate change activists’ were allowed to vandalise a valuable artwork in Milan, Italy Sunday in the latest display of pointless attention seeking adolescent petulance.
Three youths and an older woman from a group that calls itself ‘Last Generation’ managed to throw flour all over a Andy Warhol piece, before being incomprehensibly allowed to return to the scene and sit cross legged on the ground next to the work like stubborn toddlers refusing to play nice.
The work they targeted was Warhol’s BMW Art Car, a painted sports car from 1979 that resides in Milan’s Fabbrica del Vapore.
Climate fanatics are now attacking art unprotected by plexiglass. This is what happens when governments refuse to prosecute criminal conspiracies. The elites who demanded the freezing of Canadian trucker bank accounts today decry basic law enforcement.
— Michael Shellenberger (@ShellenbergerMD) November 20, 2022
pic.twitter.com/PvVQlL9kKt
The group had planned to glue themselves to the car windows, but were dragged away before they had the chance, according to reports.
Further footage shows they were, however, brought back to sit in front of the car for the media.
The elder woman, a university researcher wearing a shirt on which was scrawled “we have 858 days left,” stated that “staying in the classroom or in workshop with my students without trying everything possible to get governments to do their part has become unbearable to me,” further declaring that she was helping “the last generation on the face of the planet that can still do something.”
BMW’s cultural engagement department issued a response noting “Art is as priceless as it is untouchable. It belongs to all of humanity and reflects the great achievements of which each of us is capable. Andy Warhol’s 1979 Art Car is a unique masterpiece and we have no sympathy for a violent attack on the artist’s work defaced for many decades.”
As we highlighted last week, dozens of museums issued a statement condemning the attacks and stating that they are “deeply shaken by their risky endangerment.”
The culprits believe that attention-seeking to propagandize for climate change activism, a cause amplified by virtually every major media outlet, corporation, the entertainment industry, cultural institution, government and academia, is some kind of rebellious, edgy statement.
It isn’t.
How about the vandals do us all a favour and go after this shit instead?
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