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New BBC Drama Depicts Blacks As Slavemasters, Whites as Slaves

Just what we needed.

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A new BBC drama series set in London depicts a “dystopian” alternate society where blacks are slavemasters and whites are slaves.

The show, which features controversial ‘woke’ rapper Stormzy, is called Noughts & Crosses and is based on a series of novels by Malorie Blackman.

The plot showcases “an alternative history in which African people had gained a technological and organisational advantage over the European people, rather than the other way around.”

In the narrative, slavery has been legally abolished but segregation remains in place, with crosses (dark-skinned people) being forbidden from having romantic relationships with noughts (lighter-skinned people).

White characters are subservient to and serve black characters, white characters have their names mispronounced and band aids are all brown colored.

“At this point why don’t Netflix and the BBC and all the other leftist media outlets simply make a film or series called ” we hate white people”. It would be so much more honest,” one person commented on YouTube.

The trailer for the show depicts white people as angry mobs of violent young men.

“The things he [Callum] goes through particularly in school happened to me, like asking my teachers where the black scientists were on the curriculum and being told there weren’t any,” said Blackman. “Or my first time in first class on a train and being accused of stealing the ticket.”

While hiding behind “diversity,” the show will merely further enflame resentment and division between whites and non-whites.

“This comes at a time when white actors have been increasingly denied roles, historical roles being handed to minorities thus sacrificing authenticity, and with the BBC having been known to discriminate against white job applicants in the past,” reports National File.

The series is also yet another opportunity for the BBC to fulfil diversity quotas by employing a mostly black cast.

This despite the fact that a new survey of the British television industry by Creative Diversity Network found that BAME [Black and Minority Ethnic] on-screen representation stands at 23 per cent, significantly above the 14 per cent BAME population of the United Kingdom.

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$41 Million For This!

Modern art strikes again.

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Some idiot at an auction just paid over $41 million dollars for this visual abortion.

Please share this video! https://youtu.be/dgBVlTuFPQY

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The Message

It’s everywhere.

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We’re approaching Christmas.

So what better time for big corporations, advertising agencies and television in general to reinforce “the message”?

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Dave Chappelle Tricked SNL Producers by Giving Them Fake Monologue During Dress Rehearsal

‘Edgy’ monologue about Ye’s “anti-Semitism” was kept secret for live show.

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Tim Nwachukwu via Getty Images

Comedian Dave Chappelle reportedly tricked SNL producers into allowing his controversial stand-up routine in relation to Kanye “Ye” West to be broadcast by providing them with a fake monologue during dress rehearsal.

Chappelle was blasted for “desensitizing” Americans to anti-semitism after he told a number of jokes relating to Jewish power interests in Hollywood and the media.

Although the comedian opened his monologue by saying, “I denounce anti-semitism in all its forms, and I stand with my friends in the Jewish community,” he proceeded to riff on the double standards of how scrutiny of Jews is treated differently to other ethnic groups.

“I learned that there are two words in the English language that you should never say together in sequence. And those words are ‘the’ and ‘Jews,” joked Chappelle, before noting that everything was a game of “perception.”

“If they’re black, it’s a gang. If they’re Italian, it’s a mob. If they’re Jewish, it’s a coincidence and you should neeeever speak about it,” said Chappelle.

He also noted how Kyrie Irving had been given an absurdly long list of things to apologize for by the NBA before asserting that the persecution of Jews couldn’t be blamed on “black Americans.”

“I’ve been to Hollywood…this is just what I saw, it’s a lot of Jews, like a lot,” Chappelle added. “But that doesn’t mean anything, there’s a lot of black people in Ferguson, Missouri, doesn’t mean they run the place.”

Suggesting that “it’s not a crazy thing to think” that Jews run showbusiness, Chappelle joked, “But it’s a crazy thing to say out loud in a climate like this.”

The Daily Beast immediately accused Chappelle of echoing Ye’s anti-Semitism, while the ADL’s Jonathan Greenblatt asked, “Why are Jewish sensitivities denied or diminished at almost every turn? Why does our trauma trigger applause?”

“Dave Chappelle’s SNL skit was a meticulous & calculated move to desensitize the population from anti-semitism, getting society to laugh at Jewish traumas/struggles, and normalizing historic tropes by manipulating the average person’s pain and redirecting their reactions onto Jews,” asserted Rudy Rochman, a Jewish-Israeli rights activist.

It has now been revealed that Chappelle had to slip the monologue by SNL producers, suggesting he feared they’d censor it, by giving them a fake alternative during the show’s dress rehearsal, and then performing the real ‘edgy’ monologue during the live show.

“Dave does a fake monologue during the dress rehearsal, because he doesn’t want [‘SNL’ creator] Lorne Michaels, or anyone else, to know what his real monologue is,” a source told the New York Post’s Page 6.

During the dress rehearsal, Chappelle also apparently told a joke about an SNL writer who had refused to work with him on the show due to being offended over the comedian’s previous “transphobic and homophobic jokes.”

As Chris Menahan notes, “Sarah Silverman “joking” about killing our Lord and Savior Jesus Christ is just good clean fun but Chappelle’s jokes are “hate” and “anti-Semitism.”

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