President Trump went off last night on the Oscars for giving its top prize to a foreign movie.
During a speech to a crowd in Colorado Springs, Colorado, Trump asked why an American film wasn’t given the award.
“By the way, how bad were the Academy Awards this year — did you see?” he asked. “‘And the winner is a movie from South Korea’ — what the hell was that all about? We got enough problems with South Korea with trade. On top of it, they give them the best movie of the year? Was it good? I don’t know.”
Trump goes off on the Oscars for giving Best Picture to Parasite because it's a South Korean movie pic.twitter.com/GUGKdExTbw
The president was referring to Parasite, a South Korean black comedy thriller.
“Let’s get Gone With the Wind — can we get, like, Gone With the Wind back, please?” asked Trump.
The president also said he was never a fan of Brad Pitt, who used his speech at the Oscars to attack Trump over the impeachment process.
Neon, the film company that distributed Parasite, responded to Trump by tweeting, “Understandable, he can’t read,” yet another “Orange man stupid, orange man bad” sick burn that earned nearly 150,000 likes.
As we highlighted yesterday, if you thought Hollywood wasn’t ‘woke’ enough, it’s about to get a whole lot more politically correct.
Major Hollywood studios are set to use a new tool that scans movie & TV scripts and flags up any examples where “diversity” is not portrayed positively or “gender roles” are not adequately represented.
The tool bears some hallmarks to Soviet realism, where every piece of art had to mimic the criteria of a prescribed style in order to “educate citizens on how to be the perfect Soviets” and “limit popular culture to a specific, highly regulated faction of emotional expression that promoted Soviet ideals.”
Multimillionaire celebrity James Corden says he is suffering “anxiety” due to being self-isolated over the coronavirus.
Corden lives in an 8,609 square feet $10 million dollar L.A. mansion which is located on a 20,000 square foot estate with a massive garden and swimming pool.
Most people would love to be quarantined in there for a month.
A new BBC drama series set in London depicts a “dystopian” alternate society where blacks are slavemasters and whites are slaves.
The show, which features controversial ‘woke’ rapper Stormzy, is called Noughts & Crosses and is based on a series of novels by Malorie Blackman.
The plot showcases “an alternative history in which African people had gained a technological and organisational advantage over the European people, rather than the other way around.”
In the narrative, slavery has been legally abolished but segregation remains in place, with crosses (dark-skinned people) being forbidden from having romantic relationships with noughts (lighter-skinned people).
White characters are subservient to and serve black characters, white characters have their names mispronounced and band aids are all brown colored.
“At this point why don’t Netflix and the BBC and all the other leftist media outlets simply make a film or series called ” we hate white people”. It would be so much more honest,” one person commented on YouTube.
The trailer for the show depicts white people as angry mobs of violent young men.
“The things he [Callum] goes through particularly in school happened to me, like asking my teachers where the black scientists were on the curriculum and being told there weren’t any,” said Blackman. “Or my first time in first class on a train and being accused of stealing the ticket.”
While hiding behind “diversity,” the show will merely further enflame resentment and division between whites and non-whites.
“This comes at a time when white actors have been increasingly denied roles, historical roles being handed to minorities thus sacrificing authenticity, and with the BBC having been known to discriminate against white job applicants in the past,” reports National File.
The series is also yet another opportunity for the BBC to fulfil diversity quotas by employing a mostly black cast.
This despite the fact that a new survey of the British television industry by Creative Diversity Network found that BAME [Black and Minority Ethnic] on-screen representation stands at 23 per cent, significantly above the 14 per cent BAME population of the United Kingdom.
Boxer Deontay Wilder blamed his ‘Black History Month’ outfit for losing his WBC title to Britain’s Tyson Fury on Saturday night.
In their highly anticipated rematch, Fury defeated Wilder in the 7th round after a flurry of punches that prompted Wilder’s corner to throw in the towel.
After the fight, Wilder said he had “no excuses” for the defeat, but now blames his ringwalk costume, worn as a tribute to Black History Month, for being too heavy.
Wilder wore a 40-pound armored cape and headgear into the ring but said it sapped his energy before the match even begun.
“Fury didn’t hurt me at all, but the simple fact is that my uniform was way too heavy for me,” said Wilder.
Deontay Wilder nailing the perfect one-two boxing cliché here.
Step One: Tell the ringside interviews that there are no excuses, the better man won on the night.
“I didn’t have no legs from the beginning of the fight – in the third round, my legs were just shot all the way through. I was only able to put it on (for the first time) the night before but I didn’t think it was going to be that heavy. I wanted it to be good and I guess I put that before anything,” he added.
Wilder made a point of highlighting Black History Month in interviews before the fight.
“They picked the wrong month for this fight to happen,” Wilder told DAZN News. “When I knock ‘The Gypsy Queen’ out, he’ll become a Black History Month trivia question.”
Wilder ended up getting totally dominated by Fury. I guess the trivia question will have to wait.
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