Major Hollywood studios are set to use a new tool that scans movie & TV scripts and flags up any examples where “diversity” is not portrayed positively in a chilling new development that has echoes of Soviet realism.

Called ‘Spellcheck for Bias’, the tool was developed by the Davis’ Institute on Gender in Media and USC’s Viterbi School of Engineering. It is set to be implemented by Universal Pictures, DreamWorks Animation, Focus Features and NBC Entertainment within the near future.

“The tool supposedly breaks down diversity in material such as scripts and advertising briefs by scanning for mentions of LGBTQ, race, and disabilities, and then identifying how positively such things are portrayed,” writes Zachary Leeman.

‘Beetlejuice’ actress Geena Davis has also partnered with Universal Filmed Entertainment Group to use the program “to police gender roles in scripts.”

Are we entering into an era where movies will not just be given age ratings, but also political correctness scores, with films that don’t hit diversity quotas being restricted from enjoying widespread theatrical release?

“Instead of broadening their horizons and opening their gates to more filmmakers and scripts, they’d rather invite in a police-state like tool that feels like a discarded bit from George Orwell’s ‘1984.’ Forced diversity is not diversity at all — we’ve seen how it works out at the box office — and an app developed by people trapped in the very same industry they are trying to fix sounds more like a swing for headlines than real change,” writes Leeman.

Running art through an Orwellian purity test before it can be allowed to be seen. Where have we seen that before?

Throughout the course of the Soviet empire, dictators mandated that ‘socialist realism’ be the prescribed style of idealized art.

This meant that every sculpture, statue and painting had to conform to an established aesthetic in order to “educate citizens on how to be the perfect Soviets.”

In order to entrench loyalty to the Communist Party and advance a utopian image of Soviet society, “The purpose of socialist realism was to limit popular culture to a specific, highly regulated faction of emotional expression that promoted Soviet ideals.”

While Soviets were subjected to a mono-culture designed to ensure fealty to a political dictatorship, westerners are being subjected to ‘woke’ politically correct speech codes and social engineering to ensure fealty to the new cult of diversity.

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The man who ate an ‘art’ piece that consisted of a banana duct-taped to a wall says he did it to “create art.”

As we previously highlighted, the fruit-based exhibit sold for $120,000 at an art fair in Miami, Florida.

Gallery owner Emmanuel Perrotin dismissed criticism that the piece was a joke, claiming that the shape of the fruit and the angle it has been fixed with duct tape to the wall gives it meaning.

Within days however, it was scoffed by David Datuna, (before subsequently being replaced with scrawled writing which read ‘Epstein didn’t kill himself’).

“It wasn’t vandalism, it was art performance from me and absolutely I am not sorry,” Datuna said during a press conference.

You can tell if a society is collapsing when stuff like this becomes prevalent. https://t.co/gKQVEiQaXx

— Confessore del Vaticano II (@CathIntegralis) December 6, 2019

“In this case, it’s not like I ate art,” he added. “Like the gallery said, it’s not a banana, it’s a concept. And I just ate the concept of the artist. So I think this is cool, this is fun, this is what art is about.”

Datuna, who called his performance ‘Hungry Artist’, gave all his information to police but doesn’t believe he will be charged with any crime.

Datuna has succeeded in underscoring what we already knew – most modern conceptual art is talentless trash.

If everything can be considered art then nothing is art.

In reality, as I explain in the video below, objective standards of beauty do exist and in a world of nihilistic relativism need to be re-asserted more than ever before.

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The infamous art installation which featured a banana duct-taped to a wall has been vandalized with the words ‘Epstein Didn’t Kill Himself.’

As we previously highlighted, the fruit-based exhibit sold for $120,000 at an art fair in Miami, Florida.

It was subsequently eaten by another man who claimed he devoured the banana as a piece of “performance art.”

Best piece, I was there. #Epsteindidntkillhimself pic.twitter.com/BIjSkCoMwY

— Arianna Kaufman (@AriannaKaufman) December 9, 2019

Now the entire farce took another surreal turn when another individual used lipstick to scrawl the words “Epstien didn’t kill himself” over the canvass where the banana had once been (Epstein’s named was spelled incorrectly).

The writing was subsequently covered up with white cardboard, but not before onlookers were confused as to whether the man writing the words was himself engaged in a piece of performance art.

This guy decided to write on the banana wall LOL 😅🤦🏻‍♀️ #ArtBasel @OfficialJoelF pic.twitter.com/jjWDyugNuv

— sacha-stephanie (@sachasteph_) December 8, 2019

“This is the gallery where anyone can do art, right?” the ‘artist’ is heard asking while being confronted by security.

He was later identified as 46-year-old Roderick Webber and now faces charges of criminal mischief.

The duct-taped banana at Art Basel is gone and has been replaced with “Epstein Didn’t Kill Himself,” which security quickly covered up. 😂 pic.twitter.com/nPtnuCm6sc

— Giancarlo Sopo (@GiancarloSopo) December 9, 2019

“If someone can eat the $120,000 banana and not get arrested, why can’t I write on the wall?” Webber shouted as he was escorted out of the building.

And that ladies and gentlemen, is precisely the point.

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